- A Tickle in the Heart
- Allan Taylor
- Amy Wadge
- Andrea Soler
- Andrés Godoy
- Anne Haigis
- Ariana Gillis
- Barbara Hennerfeind
- Bernd Heitzler
- BJ Baartmans
- Branco Stoysin
- Christina Lux
- Colin Hay
- Crazy Chris Kramer
- David Tanenbaum
- Didier Lockwood
- Die Toten Hosen
- Duo Detour
- Emil Ernebro
- Fahrid Ali
- Ferenc Snetberger
- Filip Novosel
- Florian Friedrich
- Franck Bedez
- Franco Morone
- Frank Haunschild
- Frank Vignola
- Frederik Konradsen
- Guitar And Voice
- Hein van de Geyn
- Hucky Eichelmann
- Isato Nakagawa
- Jacek Krolik
- Jack & Rai
- Jacob Venndt
- Jake Shimabukuro
- Jamie Findlay
- Jan Kuiper
- Jean-Louis Foiret
- Jefferson Gonçalves ES
- Jim & Morning Nichols
- Joachim Schönecker
- John Goldie
- John Renbourn
- Joscho Stephan
- Julian Dawson
- Kerstin Blodig
- Kieran Halpin
- Kiichiro Komobuchi
- Lee Oskar
- Lionel Loueke
- Luka Bloom
- Manfred Leuchter
- Martin Taylor
- Meike Koester
- Melanie Dekker
- Michael Fix
- Michael Sagmeister
- Neyveli S Radhakrishna
- Norbert Gottschalk
- Pam Rose
- Pat Coldrick
- Pat O'May
- Paul Vernon Chester
- Peppino D'Agostino
- Peter Autschbach
- Philip Catherine
- Rainer Rohloff
- Ralf Siedhoff
- Richard Smith
- Roger Wang
- Rosenberg Trio
- Sandor Szabo
- Shaun Hopper
- Silvain Luc
- Smoking Joe Robinson
- Stefan Stoppok
- Stephane Wrembel
- Steve Louvat
- Steve White
- Susan Weinert
- Thiago Espirito Santo
- Thomas Kleemaier
- Tokio Uchida
- Tommy Emmanuel
- Troy Cassar-Daley
- Ulf Wakenius
- Ulli Bögershausen
- Vitaly Makukin
- Who's That Girl
- Youssef Dhafer
- Zipflo Rheinhardt
The art of production slowly revealed itself, as he learned to make
better use of microphones and studio equipment and the manipulation
sound. By 1993 his small, but musician friendly home studio contained a
budget 16/8 Soundcraft board, an 8 track Tascam 38, a collection of
inexpensive, but solid working microphones, plus a few funky effect
units, in tandem with his growing stash of stringed instruments. Some
of BJ's recordings began to make their way onto real albums and not
just as bonus tracks.
BJ Baartmans has not yet become a high profile commercial record
producer. But then, it has never been his intention. To try and combine
it with an average of 100 concerts a year as a
singer/songwriter/guitarplayer, would be a tall order, but not
impossible.
Nevertheless, his productions, or albums he's participated on as a
session player, have found their way around the world, via retail and
radio. Reaching music fans of Americana, blues and folk music alike.
His work is naturally crafted, well recorded and tastefully mixed, ask any of his clients!. Baartmans has the character and ability to coach a great performance out of any player or singer.
In 2001 he began recording in an old rented farmhouse, just outside the town of Venlo. Occasionally assisted by sound wunderkind/engineer and co-studio owner Leon Bartels. That ‘home studio' set-up was soon upgraded and some very cool production jobs began to appear, providing for a couple of additional great tube mics, some classy preamps and the much needed high end outboard gear. The farm's huge loft turned out to be a beautifully sounding room and the easy country vibe of the location made for a very inspiring recording environment. Musicians loved it the minute they walked in.
In recent years there have been quite a few well-known musicians in front of a microphone at Léon's Farm . BJ Baartman's production skills, often combined with his outstanding playing, can be found on recordings by folk rock icon Iain Matthews , British song writing collective, Plainsong . New York singer/songwriter Eugene Ruffolo. . Canadian singer songwriter Shannon Lyon , Nashville's Billie Joyce , and Irish mandolin virtuoso Ray Barron . Coupled with a list of some of the finest established Dutch musicians and bands, such as JW Roy , Arno Adams , Bengels , Songwriters United and Ongenode Gaste ... BJ also somehow manages to find the time to record and coach new promising acts like Peter Beeker , Loyola Drive , Okieso n , Barbara Breedijk ,and Hanneke De Jong ...
They can all be found on the website. As can B.J's own music, as his playing and writing is still the fuel behind it all... BJ has never been much of an authority on equipment, but knows more than a thing or two about microphones, preamps and compressors. Recently he's been working in his small homestudio, Studio Wild Verband . Often recording basic tracks at the farm, but doing most overdubbing and mixing at home. An incredibly busy schedule so far.
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